Three WOWOW Visionaries
Shaping New Worlds
At WOWOW Gallery, we are continuously drawn to artists who do not simply make images — they construct alternate realities. These are creators who treat imagination as architecture, building emotional, mythic and speculative worlds that challenge how we see, remember and dream.
Three Visionaries in the WOWOW Orbit
Each of these artists approaches image-making not as documentation, but as world-building. Their practices stretch across AI, photography, performance and digital myth-making, yet what unites them is the sense that their work exists in a dimension just outside of our current reality.
At WOWOW, we pride ourselves on curating pioneering voices at the intersection of AI, contemporary art and experimental print. Our current artist pool includes:
Darien Davis — Known for his cinematic approach to AI-rendered portraiture, Darien’s work feels like fragments from an uncatalogued memory. He leans into softness rather than spectacle, faces half-lit, moments half-remembered, inviting the viewer into a space between dream and déjà vu. His universe is sensorial, emotional, achingly intimate.
Jonathan Mitton — A multidisciplinary creator blending analogue photography, generative AI and material erosion, Jonathan treats images as living organisms. His work often feels like a future artefact, something discovered rather than made, as if we are witnessing time compress, glitch and decay in slow motion. There is spirituality in the ruin.
Willy — An experimental artist exploring the emotional and mythic potential of AI-driven storytelling. Willy operates like a digital theatre-maker, crafting scenes that feel ritualistic, surreal and symbolic. His images hover between folklore and hallucination, where emotion dictates physics and narrative dissolves into feeling.
Why They Matter to WOWOW
We are drawn to these artists because each of them sees the world through a radically personal digital lens. They are not imitating reality — they are rewriting it. Darien moves through memory and intimacy. Jonathan navigates time, erosion and the beauty of impermanence. Willy channels symbolism and emotional surrealism.
Together, they prove that digital art is not a tool but a language. And through their distinct visions, they offer three completely different answers to the same question: what could reality look like if it was reimagined from the inside out?